IS 274 Italian and Italian-American Cinema
The aim of this course is to introduce students to the major accomplishments of Italian cinema from "neorealism" through the "commedia all'italiana" to the present. Emphasis is placed on film as a narrative, visual, and theoretical medium for scholarly exploration of current societal issues in contemporary life. Some of Italy's major film directors will be considered, such as Rossellini, De Sica, Visconti, Antonioni, the Taviani brothers, Scola. Particular attention is dedicated to the films of Fellini. A module dedicated to Italian-American cinema (Capra, Scorsese, Coppola, Tarantino) offers a means for comparative study of two related but contrasting traditions in filmmaking.
EMPHASIS IS PLACED ON FILM AS A NARRATIVE, VISUAL, AND THEORETICAL MEDIUM FOR SCHOLARLY EXPLORATION OF CURRENT SOCIIETAL ISSUES IN CONTEMPORARY LIFE